Sometimes, a comment makes a movie.

The movie was nice, but couldn't live up to her narrative. I immediately remembered when I told my sister about a Brazilian movie that I'd liked a lot when I was 15. She laughed with my retelling, but couldn't enjoy the movie in the same way. There's something about someone narrating a film that had touched them that is in fact unique. Movies are made of their viewers comments too, and this film today especially my friend's story.
A guy loves literature so much, and Flaubert in this case, that he projects Madame Bovary's tragedy to his neighbors with a similar name. How fiction is present in reality is a dear subject to me. But Martin's obsession with Gemma Bovery is more about his own personality, his needs to fulfil a void after leaving Paris for the countryside, than his love for literature itself, I think. I don't know if Fabrice Luchini as Martin influenced my views about his character, because, for me, he has the face of a paranoiac man. Well, a movie is made by our recollections and references, and I wasn't able to look at Martin from another perspective.
One thing was really disturbing for me here: the movie has a serious inconsistency. It transits from comedy to tragedy and back to comedy like nothing was happening. It is a shame, but I guess at some point, it takes itself in a literal manner, going even in the opposite way of the literature work that it honours. One thing that made sense: that all men here would orbit around the beautiful and intriguing Gemma - and in this aspect this movie is very French in an nostalgic and melancholy way.
Gemma Bovery. Directed by Anne Fontaine. With: Fabrice Luchini (from The Woman on the 6th Floor), Niels Schneider (from Heartbeats), Gemma Arterton (from Lost in Austen, that is not in this dare, but is worthy remembering).. France/ UK, 2014, 99 min., Dolby Digital, Color (Cinema). |
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